Infrastructure & Methodology
Engineering
the Finish.
Six integrated disciplines. Purpose-built infrastructure. Reference-grade instrumentation calibrated to international broadcast and theatrical standards.
01
Colour Science
FilmLight Baselight. Reference-grade colour from camera original to master.
Our DI pipeline is built around FilmLight Baselight — the system of choice for finishing features including Oppenheimer, Killers of the Flower Moon, and The Irishman. Operating within the ACES (Academy Colour Encoding System) framework, every grade is conducted against a calibrated HDR reference display conforming to SMPTE ST 2084 (PQ) and BT.2020. We deliver simultaneously to HDR10, Dolby Vision, HLG, and SDR with colour-managed trim passes.
02
Reference Monitoring
When the display is not calibrated, the grade is wrong.
Our grading suites are equipped with OLED reference monitors calibrated to DCI-P3 and BT.2020 primaries. Display calibration follows SMPTE RP 431-2 and ISO 26428-1 protocols. Black levels, peak luminance, and colour primaries are verified against a Konica Minolta CS-2000 spectroradiometer on a rolling schedule. The monitor is not a tool — it is the standard.
03
Colour Pipeline
ACES end-to-end. Every output is colour-managed.
Camera originals are debayered and ingested into an ACES AP0 container. The grade operates in AP1 (ACEScg). RRT and ODT transforms produce calibrated outputs for each delivery specification — theatrical DCI-P3, broadcast BT.709, streaming HDR10, and Dolby Vision — from a single primary grade.
04
Integrated Pipeline
End-to-end. No handoffs to third parties. No quality gaps.
Every discipline within a single facility network — connected by a high-speed 100GbE backbone and shared LUT/metadata management. Camera originals flow through to delivery masters without a single format conversion or quality loss.
05
Acoustic Engineering
Dolby Atmos Home Entertainment. Mixed in a certified room.
Our mixing theatre is certified for Dolby Atmos Home Entertainment — the format of Netflix, Apple TV+, Disney+, Amazon Prime Video, and theatrical distribution. The room is designed to ITU-R BS.1116-3 critical listening standards: floating floor construction, mass-spring isolation, custom RPG diffuser arrays, and bass trapping tuned to 30Hz. Every mix produced here plays correctly on every playback system — from a home theatre to a theatrical auditorium.
06
Storage Architecture
Production data is irreplaceable. We treat it that way.
Our storage infrastructure provides shared-access NAS for all disciplines — no waiting for file transfers between workstations. Primary production storage is connected via 100GbE. Nearline storage provides immediate access to archived projects. LTO tape provides offline protection. Critical projects are replicated to offsite. Every file ingested into Trisha Studios is verified by MD5 checksum and monitored for silent corruption.
07
Quality Control
Seven QC gates. Zero tolerance.
Nothing leaves this facility without passing through automated and human quality control. Automated QC using Interra Baton and DVS Clipster checks every frame, every channel, every metadata field against delivery specification. QC reports are supplied with every deliverable.
Book a Facility Tour
See the infrastructure
in person.
We invite producers, directors, and technical supervisors to experience the facility firsthand. A facility visit answers more questions than a specification sheet.