Colour grading, FilmLight Baselight, colour management, HDR and SDR mastering, and digital intermediate workflows.
Related serviceUnderstand what actually happens in a colour grading session: primary and secondary corrections, look development, HDR mastering, and how your film's visual identity is built on FilmLight Baselight.
ReadFilmLight Baselight is used on Oppenheimer, Killers of the Flower Moon, and hundreds of the world's most demanding productions. This is why, and what it means for your film.
ReadA colour-managed workflow ensures your film looks the same in the grading suite, on Netflix, and in the cinema. This explains ACES, display transforms, and why it matters.
ReadThe digital intermediate is where a director's visual intention becomes the finished image. This guide explains the process, what creative control looks like in the grading suite, and how to prepare.
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