Colour science, grading methodology, FilmLight Baselight, ACES workflows, HDR mastering, and the creative language of the digital intermediate.
Understand what actually happens in a colour grading session: primary and secondary corrections, look development, HDR mastering, and how your film's visual identity is built on FilmLight Baselight.
FilmLight Baselight is used on Oppenheimer, Killers of the Flower Moon, and hundreds of the world's most demanding productions. This is why, and what it means for your film.
A colour-managed workflow ensures your film looks the same in the grading suite, on Netflix, and in the cinema. This explains ACES, display transforms, and why it matters.
The digital intermediate is where a director's visual intention becomes the finished image. This guide explains the process, what creative control looks like in the grading suite, and how to prepare.
